"The
barge she sat in, like a burnish'd throne
Burnt on the water ..." - Shakespeare
"Once again, the monarchy allowed people to
connect through powerful symbolism to their collective history and their
identity as a nation. And what a stroke of genius it was to use the river to
make that visceral connection."
So wrote British journalist Melanie Phillips in
yesterday's London Daily Mail.
"What a fantastic, glorious, emotional,
quite overwhelming spectacle. It wasn’t just that it was flawlessly executed.
It wasn’t just that, as billed in advance, it would provide a sight that people
would never have seen before.
"It was also a triumphant restatement and
reaffirmation of a Britain that people love so deeply but which so many fear
may have been lost for ever."
This is of more than passing interest to me,
inasmuch as I am currently trying to assess whether modern or postmodern
cultures still have the ability to foster and sustain a center of gravity with
sufficient assimilating power to inspire the trans-generational loyalties and
sense of purpose on which a healthy culture depends. The jury is still out as
far as I can tell, and there are plenty of failed or short-lived attempts.
However evanescent the current revival of British esprit de corps might prove
to be, it is worth noting that is indebted to a remnant of a pre-modern
institution: the monarchy.